Nxt Museum Amsterdam Shifting Proximities

The first museum in the Netherlands dedicated to new media art. Discover large scale, multi-sensory exhibitions which challenge assumptions and open minds.Shifting Proximities will explore human experience and interaction in the face of social and technological change.The eight immersive, multi-sensory installations in our inaugural exhibition have been created in collaboration with artists, designers, technologists, scientists and musicians. The artworks fuse creative ideas with groundbreaking academic research and technological innovation; four of which have been commissioned by and will premiere at Nxt Museum Amsterdam.

Storage

 

 

Film materials should be stored in interior rooms away from exterior walls and places that do not have extreme temperature fluctuations. Furthermore, film materials should not be stored near sources of heat (sunlight, radiators, heaters), water (bathrooms, sprinklers), or near chemical or exhaust fumes. Storage environments should be regularly monitored to check temperature and humidity controls, HVAC systems, and pest-free. Quantities of nitrate film in excess of 25 pounds are subject to storage and handling standards prescribed by the National Fire Protection Association (NFPA).
Seriously deteriorated negatives of any type should be isolated from those in good condition.

Trains and more...

Day for night is a set of cinematic techniques used to simulate a night scene while filming in daylight. It is often employed when it is too difficult or expensive to actually shoot during nighttime. Because both film stocks and digital image sensors lack the sensitivity of the human eye in low light conditions, night scenes recorded in natural light, with or without moonlight, may be underexposed to the point where little or nothing is visible. This problem can be avoided by using daylight to substitute for darkness. When shooting day for night, the scene is typically underexposed in-camera or darkened during post-production, with a blue tint added. Additional effects are often used to heighten the impression of night.

film meets art

 

 

Creativity is a phenomenon whereby something new and somehow valuable is formed. The created item may be intangible (such as an idea, a scientific theory, a musical composition, or a joke) or a physical object (such as an invention, a printed literary work, or a painting). Scholarly interest in creativity is found in a number of disciplines, primarily psychology, business studies, and cognitive science, but also education, the humanities, technology, engineering, philosophy (particularly philosophy of science), theology, sociology, linguistics, the arts, economics, and mathematics, covering the relations between creativity and general intelligence, personality type, mental and neural processes, mental health, or artificial intelligence; the potential for fostering creativity through education and training; the fostering of creativity for national economic benefit, and the application of creative resources to improve the effectiveness of teaching and learning.

Dolmen museum

 

 

 

16 mm This was a popular format for audio-visual use in schools and as a high-end home entertainment system before the advent of broadcast television. In broadcast television news, 16 mm film was used before the advent of electronic news-gathering. The most popular home content were comedic shorts (typically less than 20 minutes in length in the original release) and bundles of cartoons previously seen in movie theaters. 16 mm enjoys widespread use today as a format for short films, independent features and music videos, being a relatively economical alternative to 35 mm. 16 mm film was a popular format used for the production of TV shows well into the HDTV era. 

 

 

Touring Drenthe

 

 

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.

Settlement

 

 

Walk and talk is a storytelling technique used in filmmaking and television production in which a number of characters have a conversation while walking somewhere. Walk and talk often involves a walking character who is then joined by another character. On their way to their destinations, the two talk. Variations include interruptions from other characters and walk and talk relay races, in which new characters join the group and one of the original characters leaves the conversation, while the remaining characters continue the walking and talking.

Dolmen in Drenthe

 

 

Docufiction (or docu-fiction), often confused with docudrama, is  the cinematographic combination of documentary and fiction, this term often meaning narrative film.  More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous.

Giethoorn: Fanfare scenes

 

 

 

The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the late 1940s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack", or "music from and inspired by the motion picture." These phrases were soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of isolated music from a film, not the composite (sound) track with dialogue and sound effects.

Prehistoric village

 

 

Media manipulation is a series of related techniques in which partisans create an image or argument that favours their particular interests. Such tactics may include the use of logical fallacies, psychological manipulations, outright deception (disinformation), rhetorical and propaganda techniques, and often involve the suppression of information or points of view by crowding them out, by inducing other people or groups of people to stop listening to certain arguments, or by simply diverting attention elsewhere.

Village of waterways

 

 

Telecine is the process of transferring motion picture film into video and is performed in a color suite. The term is also used to refer to the equipment used in the post-production process. Telecine enables a motion picture, captured originally on film stock, to be viewed with standard video equipment, such as television sets, video cassette recorders (VCR), DVD, Blu-ray Disc or computers. Initially, this allowed television broadcasters to produce programmes using film, usually 16mm stock, but transmit them in the same format, and quality, as other forms of television production.

Bay of Biscay

 

 

 Axial cut

A type of jump cut, where the camera suddenly moves closer to or further away from its subject along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity. Axial cuts are used rarely in contemporary cinema but were fairly common in the cinema of the 1910s and 1920s.

 

Drenthe: Moor & ...more

 

Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (e.g., documentary photography, social documentary photography, street photography or celebrity photography) by complying with a rigid ethical framework which demands that the work be both honest and impartial whilst telling the story in strictly journalistic terms. Photojournalists create pictures that contribute to the news media, and help communities connect with one other. Photojournalists must be well informed and knowledgeable about events happening right outside their door. They deliver news in a creative format that is not only informative, but also entertaining. Like a writer, a photojournalist is a reporter, but he or she must often make decisions instantly and carry photographic equipment, often while exposed to significant obstacles (e.g., physical danger, weather, crowds, physical access).

 

 

The nick

 

 

Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir. Screenwriter and scholar Eric R. Williams identifies Crime Film as one of eleven super-genres in his screenwriters’ taxonomy, claiming that all feature length narrative films can be classified by these super-genres. The other ten super-genres are Action, Fantasy, Horror, Romance, Science Fiction, Slice of Life, Sports, Thriller, War and Western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. Chinatown would be an example of a film that is a drama (film type) crime film (super-genre) that is also a noir (pathway) mystery (macro-genre). 

 

in the Wood

 

Cinephilia  also cinemaphilia or filmophilia) is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile , cinemaphile, filmophile, or, informally, a film buff

In English, "cinephile" is sometimes used interchangeably with the word cineaste , though in the original French the term cinéaste  refers to a cinephile who is also a filmmaker.

 

Museum Village in Drenthe

 

 

 

In filmmaking, video production, animation, and related fields, a frame is one of the many still images which compose the complete moving picture. The term is derived from the fact that, from the beginning of modern filmmaking toward the end of the 20th century, and in many places still up to the present, the single images have been recorded on a strip of photographic film that quickly increased in length, historically; each image on such a strip looks rather like a framed picture when examined individually. The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past.

Jerez de la Frontera

 

 

Camera obscura (plural camerae obscurae or camera obscuras, from Latin camera obscūra, “dark chamber”), also referred to as pinhole image, is the natural optical phenomenon that occurs when an image of a scene at the other side of a screen (or, for instance, a wall) is projected through a small hole in that screen as a reversed and inverted image (left to right and upside down) on a surface opposite to the opening. The surroundings of the projected image have to be relatively dark for the image to be clear, so many historical camera obscura experiments were performed in dark rooms. 

 

 

 

 

 

Moorland & Sheep

 

 A preview performance refers to a showing of a film to a select audience, usually for the purposes of corporate promotions, before the public film premiere itself. Previews are sometimes used to judge audience reaction, which if unexpectedly negative, may result in recutting or even refilming certain sections based on the audience response.