Trainspotting

 

In the production of photographic prints, spotting is a type of retouching flaws in the finished print with specially made paints, dyes, pencils and pens. White spots on gelatin-silver prints made from negatives are caused by dust adhering to the negative or paper during exposure. Prints from positive transparencies exhibit black marks. White spots can be carefully darkened using a fine paintbrush and a dye of the appropriate colour. A small amount of dye, which should be very weak, is needed. The spot will darken as dye accumulates in the gelatin layer. Black spots on gelatin-silver prints are caused by holes in the negative's emulsion. These can be removed by careful knifing of the gelatin layer.

The history of photography in 5 minutes

 

We find ourselves, still early in the 21st century, in an unprecedented era in the history of photography. The consumers of the developed world have, of course, had access to cameras of their own for decades and decades, but now almost each and every one of us walks around with a camera in our pocket. When a particular landscape, building, animal, human being, or other sight strikes our fancy, we capture it without a moment's hesitation — and, often, without having given a moment's thought to the technological and artistic history of the discipline we are, if for little more than an instant, practicing.

100 ships on the IJ

In fiction, continuity is consistency of the characteristics of people, plot, objects, and places seen by the reader or viewer over some period of time. It is relevant to several media.

Continuity is particularly a concern in the production of film and television due to the difficulty of rectifying an error in continuity after shooting has wrapped up. It also applies to other art forms, including novels, comics, and video games, though usually on a smaller scale. It also applies to fiction used by persons, corporations, and governments in the public eye.

Selfy by the fox

Posting intentionally unattractive selfies has also become common in the early 2010s—in part for their humor value, but in some cases also to explore issues of body image or as a reaction against the perceived narcissism or over-sexualization of typical selfies.

The practice of taking selfies has been criticised not only for being narcissistic, preventing assessment and appreciation of what is happening in the present, but also for being mindlessly conformist behaviour, when everyone does what everyone else is doing, "like that scene in The Life of Brian – where the crowd gathers outside Brian's window and enthusiastically chants in unison: 'Yes, we're all individuals! ... Yes, we are all different!

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The park (VondelPark)

A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival's focus, can include international and domestic releases. Some festivals focus on a specific film-maker or genre (e.g., film noir) or subject matter (e.g., horror film festivals). A number of film festivals specialise in short films of a defined maximum length. Film festivals are typically annual events.

Cityseeing in Amsterdam

An event movie is a film whose release itself is considered a major event, such as an anticipated sequel or a big budget film with major stars generating considerable attention and state-of-the-art special effects. An event movie is usually the highest-grossing box office movie in the particular year and becomes a part of popular culture. Steven Spielberg's 1975 movie Jaws is considered the first event movie.

Beatrix-park

 

 

World cinema is not the sum-total of all films made around the world. Its use is analogous to the use of the term "world literature". Goethe used the concept of Weltliteratur (world literature) in several of his essays in the early decades of the nineteenth century to describe the international circulation and reception of literary works in Europe, including works of non-Western origin. An interest in "world cinema" suggests an awareness of high-quality films made outside the Hollywood studio system which dominates international viewership. 

 

Luisenpark by boat

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In film making, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.

The 180-degree rule enables the audience to visually connect with unseen movement happening around and behind the immediate subject and is important in the narration of battle scenes.

This Beautiful City

We are in the Amsterdam Museum to view the exhibition 'The Most Beautiful City', which was compiled by Mayor Eberhard van der Laan just before his death.

In the Amsterdam Gallery of the museum 80 selected photographs and objects from the collection of the Amsterdam Museum and the City Archives will be exhibited. With this selection, Van der Laan wanted to make clear how Amsterdammers in the past dealt with growing pains and economic growth of the city. He hoped to give an impetus to a good conversation about the future of the city.

Luisenpark in Mannheim

The concept of orphan films acquired an academic and creative entity in the 1990s from new approaches to managing film archives. At that time, orphan films simply identified films without copyright or abandoned by their owners or custodians. However, the term gradually widened to include any kind of footage which has been abandoned, found or forgotten for commercial, material, cultural, political and historical reasons:  material in the public domain, home movies, film out-takes, unreleased films, industrial and educational films, clandestine work, ethnographic films, newsreels, censored material, unfinished pieces, fragments of productions from the silent era, archival material, reels found, medical films, short or unusual format films, advertisements, sponsored films, student work and any other ephemeral piece of celluloid.

Enkhuizen

Cinematography finds uses in many fields of science and business as well as for entertainment purposes and mass communication.

The word "cinematography" is based on the Greek words κίνημα (kinema), meaning "movement, motion" and γράφειν (graphein) meaning "to record", together meaning "recording motion". The word used to refer to the art, process, or job of filming movies, but later its meaning became restricted to "motion picture photography"

St.Petersburg travel trips transport

In April 1896, just four months after the first films were shown in Paris, the first cinematic apparatus appeared in Russia. The first films seen in the Russian Empire were via the Lumière brothers, in Moscow and St. Petersburg in May 1896. In the same month, the first film was shot in Russia, by Lumière cameraman Camille Cerf, a record of the coronation of Nicholas II at the Kremlin in Moscow. The first permanent cinema was opened in St Petersburg in 1896 at Nevsky Prospect, No. 46.

The first Russian movies were shown in the Moscow Korsh Theatre by artist Vladimir Sashin. After purchasing a Vitagraph projector, Sashin started to make short films, which by August 1896 were being demonstrated to theatre audiences after the theatre performance had ended.

Flasback

In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In movies and television, several camera techniques, editing approaches and special effects have evolved to alert the viewer that the action shown is a flashback or flashforward; for example, the edges of the picture may be deliberately blurred, photography may be jarring or choppy, or unusual coloration or sepia tone, or monochrome when most of the story is in full color, may be used. The scene my fade or dissolve, often with the camera focused on the face of the character and there is typically a voice-over by a narrator (who is often, but not always, the character who is experiencing the memory.

Rothenburg ob den Tauber

The "four walls" system of film production (also known as the "four wall system") refers to a system whereby a film production company rents a sound stage and associated space but then contracts separately for additional facilities and hires freelance staff. The four walls system became prominent in the 1960s  , following the demise of the Hollywood studio system from 1948 . Some big studios, like Pinewood Studios in England, became "four walls" facilities  for independent film producers and television companies. These facilities no longer engage in the development or distribution of films.

 

Silent life

Photomicrograph
A light micrograph or photomicrograph is a micrograph prepared using an optical microscope, a process referred to as photomicroscopy. At a basic level, photomicroscopy may be performed simply by connecting a camera to a microscope, thereby enabling the user to take photographs at reasonably high magnification.

Laundry

A web series is a series of scripted or non-scripted videos, generally in episodic form, released on the Internet and part of the web television medium, which first emerged in the late 1990s and become more prominent in the early 2000s (decade). A single instance of a web series program can be called an episode or "webisode", however the latter term is not often used. In general, web series can be watched on a range of platforms, including desktop, laptop, tablets and smartphones. They can also be watched on television.

Hello I am Amsterdam

The first flexible photographic roll film was marketed by George Eastman in 1885, but this original "film" was actually a coating on a paper base. As part of the processing, the image-bearing layer was stripped from the paper and transferred to a hardened gelatin support. The first transparent plastic roll film followed in 1889. It was made from highly flammable nitrocellulose ("celluloid"), now usually called "nitrate film".

Although cellulose acetate or "safety film" had been introduced by Kodak in 1908, at first it found only a few special applications as an alternative to the hazardous nitrate film, which had the advantages of being considerably tougher, slightly more transparent, and cheaper. The changeover was not completed for X-ray films until 1933, and although safety film was always used for 16 mm and 8 mm home movies, nitrate film remained standard for theatrical 35 mm motion pictures until it was finally discontinued in 1951.

Films remained the dominant form of photography until the early 21st century when advances in digital photography drew consumers to digital formats.

Domberg Bamberg

Follow shot is a specific camera angle in which the subject being filmed is seemingly pursued by the camera, for example by a Steadicam. The follow shot can be achieved through tracking devices, panning, the use of a crane, and zoom lenses resulting in different qualitative images but, nevertheless, recording a subject (performer) in motion.

L'histoire kaputt

A man lifts a big black thing out of a closet, there is a composite girl, and there are creatures in the forest. Eye presents new work by Alex van Warmerdam in an exhibition specially designed for the film museum. Characters, objects and situations come to life in a mysteriously staged setting, complemented by big screens showing scenes from Van Warmerdam’s films. All elements of the exhibition testify to the down-to-earth imagination and idiosyncratic approach of Alex van Warmerdam as a maker of films and works for the stage, as well as a writer and painter.

At the invitation of Eye Filmmuseum, Alex van Warmerdam (1952) created an exhibition with new films, installations and objects. Film, theatre, design and painting come together in L’histoire kaputt, a term that denotes a wondrous world where things are completely convincingly different from how they appear.

Mannheim : Wasserturm

A film school is any educational institution dedicated to teaching aspects of filmmaking, including such subjects as film production, film theory, digital media production, and screenwriting. Film history courses and hands-on technical training are usually incorporated into most film school curricula. Technical training may include instruction in the use and operation of cameras, lighting equipment, film or video editing equipment and software, and other relevant equipment. Film schools may also include courses and training in such subjects as television production, broadcasting, audio engineering, and animation.

Bamberg Symphony

A recent study from BBC Earth and UC-Berkeley has shown that watching nature documentaries can inspire "significant increases in feelings of awe, contentedness, joy, amusement and curiosity" and conversely "reduce feelings of tiredness, anger and stress." In short, they can engender what the authors of the study call ‘real happiness’ – a kind of happiness that leads to actual improvement in individuals’ health and wellbeing, 

River Regnitz

Development of film
In this stage, the project producer selects a story, which may come from a book, play, another film, true story, video game, comic book, graphic novel, or an original idea, etc. After identifying a theme or underlying message, the producer works with writers to prepare a synopsis. Next they produce a step outline, which breaks the story down into one-paragraph scenes that concentrate on dramatic structure. Then, they prepare a treatment, a 25-to-30-page description of the story, its mood, and characters. This usually has little dialogue and stage direction, but often contains drawings that help visualize key points. Another way is to produce a scriptment once a synopsis is produced.

The Cabin

In film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. Inserts cover action already covered in the master shot, but emphasize a different aspect of that action due to the different framing. An insert differs from a cutaway as cutaways cover action not covered in the master shot.

There are more exact terms to use when the new, inserted shot is another view of actors: close-up, head shot, knee shot, two shot. So the term "insert" is often confined to views of objects—and body parts, other than the head. Often inserts of this sort are done separately from the main action, by a second-unit director using stand-ins.

Inserts and cutaways can both be vexatious for directors, as care must be taken to preserve continuity by keeping the objects in the same relative position as in the main take, and having the lighting be the same.

Historic images of Dutch Whaling

Most early forms of motion pictures or film were black and white. Some color film processes, including hand coloring were experimented with, and in limited use, from the earliest days of motion pictures. The switch from most films being in black-and-white to most being in color was gradual, taking place from the 1930s to the 1960s. Even when most film studios had the capability to make color films, the technology's popularity was limited, as using the Technicolor process was expensive and cumbersome. For many years, it was not possible for films in color to render realistic hues, thus its use was restricted to historical films or musicals until the 1950s, while many directors preferred to use black-and-white stock. For the years 1940–1966, a separate Academy Award for Best Art Direction was given for black-and-white movies along with one for color.

Devils' Cave

Horror is a genre of speculative fiction which is intended to, or has the capacity to frighten, scare, disgust, or startle its readers or viewers by inducing feelings of horror and terror. Literary historian J. A. Cuddon has defined the horror story as "a piece of fiction in prose of variable length... which shocks or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". It creates an eerie and frightening atmosphere. Horror is frequently supernatural, though it can be non-supernatural. Often the central menace of a work of horror fiction can be interpreted as a metaphor for the larger fears of a society.