The DP

A cinematographer or director of photography (sometimes shortened to DP or DOP) is the chief over the camera crews working on a film, television production or other live action piece and is responsible for making artistic and technical decisions related to the image. The study and practice of this field is referred to as cinematography. Some filmmakers say that the cinematographer is just the chief over the camera and lighting, and the director of photography is the chief over all the photography components of film, including framing, costumes, makeup, and lighting, as well as the assistant of the post producer for color correction and grading.

The cinematographer selects the camera, film stock, lens, filters, etc., to realize the scene in accordance with the intentions of the director. Relations between the cinematographer and director vary; in some instances the director will allow the cinematographer complete independence; in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is not common once the director and cinematographer have become comfortable with each other; the director will typically convey to the cinematographer what is wanted from a scene visually, and allow the cinematographer latitude in achieving that effect.

EL EMPLEO / THE EMPLOYMENT

This short film written by Argentine artist Patricio Plaza and directed by Santiago Grasso provides a strong message on work, alienation and how each of us takes part in a system in which people exploit other people, helping an unfair system continue functioning.

The highlight of the short lies of course in its acid humor, and how it creatively replaces objects with human beings that are being used as such. To transmit a sense of alienation slow visual rhythm and audio pace are used (except for the street scene), together with de-saturated colors, expressionless characters with black eyes (many of the characters remain static) and monotonous background ambient sound.

 

 

Drowned city

Reimerswaal is a lost city in the Netherlands.

The present-day municipality of Reimerswaal is named after this city, which was granted city rights in 1374. The city was destroyed by repeated floods, and the last citizens left in 1632. Nothing remains. It was located north of the current municipality, on the east end of the Oosterschelde, on land which is now called the Verdronken Land van Reimerswaal ("Drowned Land of Reimerswaal").

 

Picasso's Guernica

A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which may be either natural (food, flowers, dead animals, plants, rocks, or shells) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, and so on). With origins in the Middle Ages and Ancient Graeco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. Still life gives the artist more freedom in the arrangement of elements within a composition than do paintings of other types of subjects such as landscape or portraiture. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects depicted. Some modern still life breaks the two-dimensional barrier and employs three-dimensional mixed media, and uses found objects, photography, computer graphics, as well as video and sound

Amsterdam as filmlocation

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A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors and recording their dialog. A location where dialog is not recorded may be considered as a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location.

It is often mistakenly believed that filming "on location" takes place in the actual location in which its story is set, but this is not necessarily the case.

Capital of Norway: Oslo

A film treatment (or simply treatment) is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture, television program, or radio play. It is generally longer and more detailed than an outline (or one-page synopsis), and it may include details of directorial style that an outline omits. Treatments read like a short story, but are told in the present tense and describe events as they happen.

Crystals

CRYSTAL can be experienced in Eindhoven. The permanent artwork consists out of hundreds of LED-crystals which brighten when people touch them. Designer Daan Roosegaarde calls them “Lego from Mars”. The name refers not only to its futuristic design, but also to its endless potential to play.
The Crystals are placed in a black tunnel at the Natlab, the place where Einstein once worked, where Philips produced its lightbulbs, and the first CD was presented. 

CRYSTAL is a perfect match, the Crystals are white geometric shapes with LEDs inside. The local floor has a magnetic field which allows the Crystals to light-up. CRYSTAL is therefore one of the latest innovations in light. 

I Daniel Blake

A 59 year old carpenter recovering from a heart attack, befriends a single mum and her two kids as they navigate their way through the kafkaesque impersonal benefits system. With equal amounts of humour, warmth and despair. Heartfelt and emotional until the end

I, Daniel Blake is a 2016 British-French drama film directed by Ken Loach and written by Loach's frequent collaborator Paul Laverty. The film stars Dave Johns, Hayley Squires, Dylan McKiernan, and Briana Shann.

It won the Prix du public at the 2016 WAMA film festival in Poland.

It won the Palme d'Or at the 2016 Cannes Film Festival l.

Frame by Frame

When the Taliban ruled Afghanistan, taking a photo was a crime. After the regime fell from power in 2001, a fledgling free press emerged and a photography revolution was born. Now, as foreign troops and media withdraw, Afghanistan is left to stand on its own, and so are its journalists. Set in a modern Afghanistan bursting with color and character, FRAME BY FRAME follows four Afghan photojournalists as they navigate an emerging and dangerous media landscape – reframing Afghanistan for the world, and for themselves. Through cinema verite, intimate interviews, powerful photojournalism, and never-before-seen archival footage shot in secret during the Taliban regime, the film connects audiences with four humans in the pursuit of the truth.

Dutch Dark Chapter

 

Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories; some examples being: educational, observational, and docufiction. Documentaries are very informative and are often used within schools, as a resource to teach various principles. Social-media platforms (such as YouTube) have provided an avenue for the growth of the documentary-film genre. These platforms have increased the distribution area and ease-of-accessibility; thereby enhancing the ability to educate a larger volume of viewers, and broadening the reach of persons who receive that information. 

 

VR-movie theatre

 Most 2016-era virtual realities are displayed either on a computer monitor, a projector screen, or with a virtual reality headset (also called head-mounted display or HMD). HMDs typically take the form of head-mounted goggles with a screen in front of the eyes. Some simulations include additional sensory information and provide sounds through speakers or headphones. Virtual Reality actually brings the user into the digital world by cutting off outside stimuli. In this way user is solely focusing on the digital content.

Virtual reality environment can be captured using 360° stereoscopic spherical video and 360x360 surround sound from professional VR video cameras. The users can emerge in the virtual reality environment using head-mounted displays.

Im Memoriam : Manuel

Manuel is a fictional character from the BBC sitcom Fawlty Towers. Played by Andrew Sachs, he is one of the most iconic characters in British comedy history. He reappeared for a small sketch with John Cleese in We Are Most Amused in November 2008.

Manuel himself appeared on the audio adaptations of Fawlty Towers as a linking narrator, explaining things from his point of view, when the series was released in audio format. The first two episodes released did not feature him at all, as the dialogue was edited and short burst of piano music would indicate a change of scene. However, when the whole series was re-released, they were re-edited with Manuel's linking commentary.

Loving Vincent

The art form of film is different from painting. Painting is one particular moment in time, frozen. Film is fluid, seeming to move through space and time. So first we had a Painting Design team spent one-year re-imagining Vincent’s painting into the medium of film. These paintings along with the storyboard and Computer Generated Layout Animatic formed the basis on which to plan our live action shoot.

All the characters in Loving Vincent are performed by real actors either on specially constructed sets, designed to look like Vincent’s paintings, or against Green Screens with the Loving Vincent Design Paintings composited in through a live view system on the set.

The live action material was then combined with Computer Animation for elements such as birds, horses, clouds and blowing leaves and composited together with the Design Paintings to create the Reference Material for the Painting Animation.

 

A Pretty Dutch Town

Dordrecht filmed from the Wijnhaven and Voorstraatshaven canal, which flows into the river Maas. In the background is the Grote Kerk visible and (sailing) boats along the shore. This film from 1910 is coloured by stencilling.

Film from the collection of Cinema Museum (London), restored by EYE Filmmuseum.