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Insert (filmmaking)
In film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. Inserts cover action already covered in the master shot, but emphasize a different aspect of that action due to the different framing. An insert differs from a cutaway as cutaways cover action not covered in the master shot.

There are more exact terms to use when the new, inserted shot is another view of actors: close-up, head shot, knee shot, two shot. So the term "insert" is often confined to views of objects—and body parts, other than the head. Thus: CLOSE-UP of the gunfighter, INSERT of his hand quivering above the holster, TWO SHOT of his friends watching anxiously, INSERT of the clock ticking.

 

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Filminfo:
A cinematograph is a film camera, which also serves as a film projector and developer. It was invented in the 1890

Popular thought, dictates that Louis Lumière was the first to conceptualise the idea, and both Lumière brothers shared the patent. They made their first film, Sortie de l'usine Lumière de Lyon, in 1894. The film was publicly screened at L'Eden, the world's first and oldest cinéma, located in La Ciotat in southeastern France, on September 28, 1895. The first commercial, public screening of cinematographic films happened in Paris on 28 December 1895 and was organised by the Lumière brothers.

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Filminfo

Aerial perspective or atmospheric perspective refers to the effect the atmosphere has on the appearance of an object as it is viewed from a distance. As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any markings or details within the object also decreases. The colours of the object also become less saturated and shift towards the background color, which is usually blue, but under some conditions may be some other color (for example, at sunrise or sunset distant colors may shift towards red).

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"Screen direction" is a term used in motion picture and video editing and refers to an underlying concept of cinematic grammar which involves the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.

"Camera left" or "frame left" indicates movement towards the left side of the screen, while "camera right" or "frame right" refers to movement towards the right side of the screen. "Foreground" refers to the apparent space close to the camera (and thus to the audience), while "background" refers to the apparent space in the distance away from the camera and the audience.

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Suspense is a feeling of uncertainty and anxiety about the outcome of certain actions, most often referring to an audience's perceptions in a dramatic work. Suspense is not exclusive to fiction, though. Suspense may operate in any situation where there is a lead up to a big event or dramatic moment, with tension being a primary emotion felt as part of the situation. In the kind of suspense described by film director Alfred Hitchcock, an audience experiences suspense when they expect something bad to happen and have (or believe they have) a superior perspective on events in the drama's hierarchy of knowledge, yet they are powerless to intervene to prevent it from happening.

 

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Waterproof digital cameras are digital cameras that can make pictures underwater. Before developing waterproof digital cameras we were able to buy waterproof housings for digital cameras, but they cost almost as the digital cameras and it was very expensive. If You have waterproof digital camera You will be able to walk next to the water and feel relaxed, because You will never again be worried about what would happened if Your camera fell in the water. A lot of waterproof digital cameras are shockproof and resistant on low temperatures, one of them is Canon PowerShot D10, one of the first underwater digital cameras.

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A freeze frame shot is used when one shot is printed in a single frame several times, in order to make an interesting illusion of a still photograph.

"Freeze frame" is also a drama medium term used in which, during a live performance, the actors/actresses will freeze at a particular, pre-meditated time, to enhance a particular scene, or to show an important moment in the play/production[like a celebration]. The image can then be further enhanced by spoken word, in which each character tells their personal thoughts regarding the situation, giving the audience further insight into the meaning, plot or hidden story of the play/production/scene.

 

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Film production occurs in three stages:


Pre-production—Preparations are made for the shoot, in which cast and film crew are hired, locations are selected, and sets are built. This is also the stage in which the ideas for the film are created, rights to books/plays are bought, etc.




 Production—The raw elements for the finished film are recorded.



Post-Production—The film is edited; production sound is separately edited, music tracks recorded, if a film is sought to have a score; sound effects are designed and recorded; all sound elements are mixed into "stems" then the stems are mixed then married to picture and the film is fully completed

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21st century work mostly uses digital cinematography and has no film stocks but the cameras themselves can be adjusted in ways that go far beyond the abilities of one particular film stock. They can provide varying degrees of color sensitivity, image contrast, light sensitivity and so on. One camera can achieve all the various looks of different emulsions, although it is heavily argued as to which method ofcapturing an image is the "best" method. Digital image adjustments (ISO, contrast etc.) are executed by estimating the same adjustments that would take place if actual film were in use, and are thus vulnerable to the cameras sensor designers perceptions of various film stocks and image adjustment parameters 

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Forced perspective is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It is used primarily in photography, filmmaking and architecture. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera.