Sketches of Wales

In 1965, Super-8 film was released and was quickly adopted by the amateur film-maker. It featured a better quality image, and was easier to use mainly due to a cartridge-loading system that did not require re-loading—and re-threading halfway through. Super 8 was often erroneously criticized, since the film gates in some cheaper Super 8 cameras were plastic, as was the pressure plate built into the cartridge; the standard 8 cameras had a permanent metal film gate that was regarded as more reliable in keeping the film flat and the image in focus. In reality, this was not the case. The plastic pressure plate could be moulded to far tighter tolerances than their metal counterparts could be machined.
To easily differentiate Super 8 film from Standard 8, projector spools for the former had larger spindle holes. Therefore, it was not possible to mount a Super 8 spool on a Standard 8 projector, and vice versa.

No War no Game

War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war.

 

Pixilation

Pixilation (from pixilated) is a stop motion technique where live actors are used as a frame-by-frame subject in an animated film, by repeatedly posing while one or more frame is taken and changing pose slightly before the next frame or frames. The actor becomes a kind of living stop motion puppet. This technique is often used as a way to blend live actors with animated ones in a film.The first work known to use the pixilation technique was Emile Courtet's 1911 film Jobard ne peut pas voir les femmes travailler (Jobard cannot see the women working).

The pixilation technique was also used for the opening of Claymation, Will Vinton's 1978 17 minute documentary about his animation studio's
production techniques, the first time the famous trademarked Claymation term was used, now a term synonymous with all clay animation.An effect similar to Pixilation can be achieved by dropping occasional frames from an conventionally-recorded film. While obviously easier than the stop-frame technique, this doesn't achieve the same quality. this film wass made by means of Quicktime (pro)

Britain by Car

Thanks to over a dozen film stocks and certain features common in Super 8 cameras but unavailable in video camcorders–notably the ability to expose single frames and shoot at several non video standard frame rates, including time-exposure and slow motion–Super 8 provides an ideal inexpensive medium for traditional stop-motion and cel animation and other types of filming speed effects not common to video cameras.

Another visual effect uncommon in video cameras that certain high-end Super 8 cameras can do in-camera is the lap dissolve. Upon activation of the lap dissolve feature, the shot being filmed fades to black, the camera back-winds the film to the beginning of the fade and, at the beginning of the next shot, fades in.

 

 

Maastricht in 10 minutes

Maastricht developed from a Roman settlement to a Medieval religious centre, a garrison town and an early industrial city Today, Maastricht is well-regarded as an affluent cultural center. Maastricht has 1677 national heritage sites (Rijksmonumenten), which is the second highest number in a Dutch town, after Amsterdam. It has become known, by way of the Maastricht Treaty, as the birthplace of the European Union, European citizenship, and the single European currency, the euro. The town is popular with tourists for shopping and recreation, and has a large growing international student population.