Weimar Stadschloss

The name "film" originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, moving picture, photoplay and flick. The most common term in the United States is movie, while in Europe film is preferred. Terms for the field in general include the big screen, the silver screen, the movies and cinema; the latter is commonly used in scholarly texts and critical essays, especially by European writers. In early years, the word sheet was sometimes used instead of screen.

 

Leipzig experience

The term "remake" is generally used in reference to a movie which uses an earlier movie as the main source material, rather than in reference to a second, later movie based on the same source.
With the exception of shot-for-shot remakes, most remakes make significant character, plot, and theme changes. Sometimes a remake is made by the same director.

Not all remakes use the same title as the previously released version.

Although it does not meet the definition of a remake, a similar (and increasingly common) development is the use of a successful (usually older) television series as the source material for a feature film.

Wartburg Castle

Sentences are often used in metaphors about the “grammar of film editing”, but while it’s true that each shot generally contains more information than a single letter’s worth, the above may better reveal how crucial the editing process — and, by extension, the power of continuity — is to the medium; without it, each shot might as well be an individual letter, and if the film is edited badly, each word in the film’s se

ntences might as well be misspelled

Classic Weimar

Literal lines do not exist in nature, but are the optical phenomena created when objects curve away from the viewer. Nonetheless, line-like shapes are for all intents considered line elements by the artist; for example, telephone and power cables or rigging on boats. Any such elements can be of dramatic use in the composition of the image. Additionally, less obvious lines can be created, intentionally or not, which influence the direction of the viewer's gaze. These could be the borders of areas of differing color or contrast, or sequences of discrete elements, or the artist may exaggerate or create lines perhaps as part of his style, for this purpose. Many lines without a clear subject point suggest chaos in the image and may conflict with the mood the artist is trying to evoke.
Movement is also a source of line, and blur can also create a reaction. Subject lines by means of illusion contribute to both mood and linear perspective, giving the illusion of depth. Oblique lines convey a sense of movement and angular lines generally convey a sense of dynamism and possibly tension. Lines can also direct attention towards the main subject of picture, or contribute to organization by dividing it into compartments.

The brain often unconsciously reads near continuous lines between different elements and subjects at varying distances.