24 dec 2010

Autochromes



The Autochrome Lumière is an early color photography process. Patented in 1903 by the Lumière brothers in France ,it was the principal color photography process in use before the advent of subtractive color film in the mid-1930s.
Although difficult to manufacture and relatively expensive, Autochromes were relatively easy to use and were immensely popular among enthusiastic amateur photographers—at least, among those who could bear the cost and were willing to sacrifice the convenience of hand-held "snapshooting" in black-and-white. Autochromes failed to sustain the initial interest of more serious "artistic" practitioners, largely due to their inflexibility.
Autochromes continued to be produced as glass plates into the 1930s, when film-based versions were introduced, first Lumière Filmcolor sheet film in 1931, then Lumicolor roll film in 1933. Although these soon completely replaced glass plate Autochromes, their triumph was short-lived, as Kodak and Agfa soon began to produce multi-layer subtractive color films (Kodachrome and Agfacolor Neu respectively). Nevertheless, the Lumière products had a devoted following, above all in France, and their use persisted long after modern color films had become available. The final version, Alticolor, was introduced in 1952 and discontinued in 1955, marking the end of the nearly fifty-year-long public life of the Autochrome




21 dec 2010

Christmas fair




If you're reading this I needn't remind you that there's a revolution happening in video, with major TV shows and even feature films being shot in whole or in part with video-capable DSLRs, in particular the Canon 5D MKII, and more recently the Canon 7D. These are pretty lousy video cameras from an operational point of view, but their shallow depth of field, great low-light capability, and high video IQ have earned them a solid reputation among both amateur and professional film makers. An entire accessory and support industry has grown up around them.


 

19 dec 2010

Black & white Christmas




Ever seen a video where everything's a lot redder than it should be? It might even have been one of your videos. Different lights are different colors - in bright sunlight a sheet of typing paper looks white, under fluorescent lights it may look slightly green and in tungsten lighting it will have a reddish cast. The "white balance" setting on your camera tells the sensor what color light you're shooting under. Most cameras have a number of pre-set white balances for sun, shade, fluorescent etc, and also an "auto" mode where the camera will try and guess what the light is. Your camera's okay at guessing, but not great. Leaving it in auto mode is a sure way to get an odd color cast to your footage



15 dec 2010

Christmas-market




There are only two kinds of films: good or bad. Anything in-between is often vague and pretentious. Now the big question is how you can make a good film when making a bad one can be just as difficult.

A good script, I believe, is the answer. However while developing a script you really believe in, it is very likely that you will lose your objectivity in the process. As parents have the tendency to believe their children are perfect and can do nothing wrong, a filmmaker can also develop the same misconception.



14 dec 2010

Pure Nature



A biography is someone else's life story. An autobiography is about your own life.



A work is biographical if it covers all of a person's life. As such, biographical works are usually non-fiction, but fiction can also be used to portray a person's life. One in-depth form of biographical coverage is called legacy writing. Together, all biographical works form the genre known as biography, in literature, film, and other forms of media.

10 dec 2010

Underwater




Today, the small size of fully automatic camcorders with large view screens and long-life rechargeable batteries has reduced the housing size and made underwater videography an easy, fun activity for the diver. Low-cost wide-angle lens add-ons are available for many cameras and some can even be fitted outside the camera housing for versatile use. This lets the photographer get closer and make the subject clearer and also with fewer focusing and depth of field problems. Today cameras are more sensitive to low light conditions and make automatic color balancing adjustments. Nevertheless, deeper water videography still needs auxiliary light sources to bring out colors filtered out of sunlight by the distance it has travelled through water. The longest wavelengths of light are lost first (reds and yellows) leaving only a greenish or blue cast in deep water.



8 dec 2010

Christmas in the city



Filminfo
Mise-en-scène  is an expression used to describe the design aspects of a film production, which essentially means "visual theme" or "telling a story" both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction.
When applied to the cinema, mise-en-scène refers to everything that appears before the camera and its arrangementcomposition, sets, props, actors, costumes, and lighting.





4 dec 2010

Churches in St Petersburg



In filmmaking, video production, animation, and related fields, a film frame or video frame is one of the many still images which compose the complete moving picture. The term is derived from the fact that, from the beginning of modern filmmaking toward the end of the 20th century, and in many places still up to the present, the single images have been recorded on a strip of photographic film that quickly increased in length, historically; each image on such a strip looks rather like a framed picture when examined individually.



The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past.


29 nov 2010

Nature teacher of art




Artis, short for Natura Artis Magistra (Latin for "Nature is the teacher of art"), is a zoo in the centre of Amsterdam. It is the oldest zoo of the Netherlands. In addition to the zoo, Artis has a planetarium, a geological museum and a zoological museum.

The zoo was founded in 1838 by Gerard Westerman, J.W.H. Werlemann and J.J. Wijsmuller (also known as the three Ws). It is commonly referred to as Artis, because the zoo has three gates with Artis Natura Magistra written above them (as shown on the picture). Usually only the first gate was open, so people who walked through that gate, looked what was written above it and saw 'Artis', thinking that the zoo was just called Artis. Soon few knew it as Artis Natura Magistra.

 


28 nov 2010

Analysis of The Shining



The Shining is a 1980 British-American psychological horror film produced and directed by Stanley Kubrick, co-written with novelist Diane Johnson, and starring Jack Nicholson, Shelley Duvall, Danny Lloyd, and Scatman Crothers. The film is based on Stephen King's 1977 novel The Shining.

The initial European release of The Shining was 25 minutes shorter than the American version, achieved by removing most of the scenes taking place outside the environs of the hotel. Unlike Kubrick's previous works, which developed audiences gradually through word-of-mouth, The Shining was released as a mass-market film, initially opening in two cities on Memorial Day, then nationwide a month later. Although contemporary responses from critics were mixed, assessment became more favorable in following decades, and it is now widely regarded as one of the greatest horror films ever made. American director Martin Scorsese ranked it one of the 11 scariest horror movies of all time. Critics, scholars, and crew members (such as Kubrick's producer Jan Harlan) have discussed the film's enormous influence on popular culture






26 nov 2010

A grand man: Tolstoy


Filminfo:

The Cinema of the Russian Empire roughly spans the period 1907 - 1920, during which time a strong infrastructure was created. From the over 2,700 art films created in Russia before 1920, around 300 remain to this day.

In April 1896, just four months after the first films were shown in Paris, the first cinematic apparatus appeared in Russia. The first films seen in the Russian Empire were via the Lumière brothers, in Moscow and St. Petersburg in May 1896. In the same month, the first film was shot in Russia, by Lumière cameraman Camille Cerf, a record of the coronation of Nicholas II at the Kremlin in Moscow. The first permanent cinema was opened in St Petersburg in 1896 at Nevsky Prospect, No. 46.



Staying in St Petersburg



A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.



24 nov 2010

Apes in Artis





A Documentary film is a great way of exploiting cinemas potential for observing life. It is a visual expression that strives to document reality. It is also often regarded as a filmmaking practice, a cinematic tradition, and mode of audience reception. A good short documentary film in the form of a multimedia presentation can leave the most powerful impact on the viewers mind.

With time, documentary films have evolved from being short movies shot on film news, to include video and digital productions made for a television or video series. Some of the media and visual solutions companies produce quality driven creative media tools in the form of films and multimedia.



18 nov 2010

Jumbo's in Artis



Videographers are not just storytellers, they're also the keepers of our memories - which is an amazing responsibility. While a director producing a fictional piece can reshoot a scene again and again until it's captured perfectly, real life doesn't afford us the ability to go back and do it again.

For this reason, many videographers capture important events with multiple cameras - this not only ensures that if one camera misses some critical action, it will be caught by another, but it also makes for much more enjoyable viewing.
Multi-camera shooting can be done in several ways, some complex and expensive, some easy and (relatively) cheap.



12 nov 2010

Arrival of Sinterklaas




Sinterklaas traditionally arrives in the Netherlands each year in mid-November (usually on a Saturday) by steamboat from Spain. Some suggest that gifts associated with the holy man, such as mandarin oranges, led to the misconception that he must have been from Spain. He parades through the streets on his gray horse Amerigo, welcomed by cheering and singing children.[ This event is broadcast live on national television in the Netherlands and Belgium. His Zwarte Piet assistants throw candy and small, round, gingerbread-like cookies, either "kruidnoten" or "pepernoten," into the crowd. The children welcome him by singing traditional Sinterklaas songs. Sinterklaas visits schools, hospitals and shopping centers. After this arrival, all towns with a dock usually celebrate their own "intocht van Sinterklaas" (arrival of Sinterklaas).

11 nov 2010

The sound of Artis



Filmtips:

Of course, camcorders and photo cameras are purpose built. The camcorder has features that the still camera hasnt and vice versa. For starters, DSLRs lacking a power zoom, LCD viewfinder and exposure aids like peaking and zebra you find with professional camcorders. Last but not least there are no adjustments to the resolution and frame rate, which is important when you have to match and mix your footage.



9 nov 2010

Court of the Marquis




A Flip-style camcorder comes in a MP3 player-like package with a digital zoom lens one on/off Record button, a basic audio microphone, and the ability to record to internal and/or external flash memory. The videos are usually downloaded using a built-in USB that plugs into your computer. From there, you can burn them to DVD or post them directly to YouTube. At around $200 or less, Flip-style camcorders are fine for fun shots, but not for serious videography.



5 nov 2010

Nice la belle



Film thoughts:
We get our ideas from what Im going to call for a moment our unconscious the part of our mind that goes on working, for example, when were asleep. So what Im saying is that if you get into the right mood, then your mode of thinking will become much more creative. But if youre racing around all day, ticking things off a list, looking at your watch, making phone calls and generally just keeping all the balls in the air, you are not going to have any creative ideas. ~ John Cleese






3 nov 2010

Filmcity Cannes




Filminfo:
The Cannes Film Festival (French: le Festival de Cannes), founded in 1946, is one of the world's oldest and most prestigious film festivals. The private festival is held annually (usually in May) at the Palais des Festivals et des Congrès, in the resort town of Cannes, in the south of France.

<">The festival has become an important showcase for European films. ; Cannes is extremely important for critical and commercial interests and for European attempts to sell films on the basis of their artistic quality



31 okt 2010

Green Amsterdam



Filmtips:
Compositing is the combining of visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called blue screen, green screen, chroma key, and other names.
Today, most, though not all compositing, is achieved through digital image manipulation. Pre-digital compositing techniques, however, go back as far as the trick films of Georges Méliès in the late 19th century; and some are still in use.