The simplest way to do this with a camera is to fold up or retract the legs of your tripod and keep the camera mounted on it. This gives you a good amount of weight beneath it and will prevent it from wobbling around to as great a degree as it would otherwise. Using your grips we learned earlier, your support hand goes around the legs of the tripod instead of resting underneath the camera. I’ve written some other tips for things you can use to achieve smooth camera movement.
Collage in Film
Definition: Collage film is traditionally defined as, “A film that juxtaposes fictional scenes with footage taken from disparate sources, such as newsreels.” Combining different types of footage can have various implications depending on the director’s approach. Collage film can also refer to the physical collaging of materials onto filmstrips.
Applications: Historical and archival footage is often used in documentary films as a source of primary information, giving the viewer a more comprehensive understanding of the subject matter. Director and cinematographer Ken Burns is famous for his use inclusion of archival footage in his films.
To collage different types of footage exposes the hand of the editor in the production process. This awareness of human intervention detracts from a film’s objectivity, and requires the viewer to consciously interpret the connotations of the deliberately arranged footage.
Short films are often used as the starting place for new filmmakers, but others use them as an art form unto themselves, allowing the filmmaker far more creative control than he or she would have over a feature. However, for those wanting to make a feature, it is commonly considered that one should make shorts first. Why is this?
Filmmaking is a skill that can only be learned by practice. Diving into your first feature before learning your craft on shorts would be like driving your Dad's expensive sports car on the motorway before you'd had any lessons on quiet back-roads. There has never been an easier time to make a short film. Everyone owns or knows someone with a video camera.
Parallel editing (cross cutting) is the technique of alternating two or more scenes that often happen simultaneously but in different locations. If the scenes are simultaneous, they occasionally culminate in a single place, where the relevant parties confront each other.
Why use it? To add interest and excitement to an otherwise boring scene. Parallel editing is often applied to create suspense
Parallel Editing Cut
Let's say you have a scene where a villain is chasing the hero of the film. To spend the entire chase scene trying to keep both the hero and the villain in the frame at the same time will become very difficult and un-engaging after a while. A better way to approach this problem is through the use of parallel cutting. In this example, the scene would consist of several shots of the hero running in one direction, and some shots of the villain running in the same direction. Perhaps the hero looks back, out of frame, at his pursuer. At this point, the editor would insert of a shot of the villain. Both characters haven't share the same screen space, yet the audience still understands that one is chasing the other.
1942. In an attempt to keep a group of children from being sent to the death camps, the Jew Walter Süskind befriends SS man Aus der Fünten. When the latter finds out that Walter has been deceiving him and his affection was faked, the Nazi takes revenge on the Jew.
Nazi-Germany occupied The Netherlands from May 1940 till May 1945. In 1942, the Dutch Jews were told they would have to leave for Germany in order to work in labor camps. Some hundred people at a time, the Jews were packed into the “Hollandsche Schouwburg” (the “Dutch Theatre”) in Amsterdam. From here they were taken by train to the transit camp “Westerbork” in the North-East of Holland. Here the trains left – not for Germany as the deportees had thought – but for Poland.
